Tzahi Moskovitz

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Reviews

Intimate Apparel | 2007

 

Seacoast Online | Dana Pearson

 

Tzahi Moskovitz rounds out the cast as Mr. Marks, a Romanian Jewish immigrant who sells fabric to Esther. It is their scenes - that provide "Intimate Apparel" with true tenderness and depth of feeling.

 

The Phoenix | Megan Grumbling

 

As for Esther, 35 years old, she hankers for a beau after her many years of independence. She feels twinges of intimacy with Mr. Marks (the excellent Tzahi Moskovitz).

 

 

The Great Conjurer | 2006

 

 

nytheatre.com | Martin Denton

 

Tzahi Moskovitz inhabits the role of Kafka with such sure conviction that the moments of decision are almost brutal to witness.

 

 

Off Off Online.com | William Corderio

 

Tzahi Moskovitz should be commended for his understated portrayal of Kafka as a polite, beetle-browed boy. Moskovitz does not ham it up and "Hamletize" during his many searching soliloquies.

 

 

New Theater Corps | Aaron Riccio

 

Tzahi Moskovitz (K), illustrates the internal struggle to break back to reality, but also demonstrates a childlike delight in his own fantasies.

 

 

Intimate Apparel | 2006
 
 
The Atlanta Journal-Constitution Wendell Brock
 
Tzahi Moskovitz, as the Jewish fabric salesman Mr. Marks, brings sparkle and warmth to this essentially dour story. Esther’s platonic relationship with the like-minded and godly Marks is the play’s secret weapon. Their unrequited yearning, and sweet exchanges, are Esther’s respite.

Read the full review here.

 

The Atlanta Jewish Times| Suzi Brozman

 

Tzahi Moskovitz plays Mr. Marks, the fabric salesman, with tenderness and humor.

 

...so gripping that a glance, an inadvertent brush of the fingers, expresses a whole world of longing and self-restraint. 

Read the full review here.

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The Murder of Isaac | 2006
 
The Washington Post | Peter Marks
 
For all the heartache catalogued in this fascinating American premiere at CENTERSTAGE, though, it is Lerner's scathing denunciation of what he sees as Israel's moral collapse how the permanent cycle of violence has coarsened and perverted humane Jewish values that makes The Murder of Isaac such a powerful and provocative document.
 
 
 
 

Broadway World.com | James Howard

 

Tzahi Moskovitz as wheelchair-bound Avner, whose sweet innocence and searing pain are palpable…

 

These… actors give bravura performances that are so grounded and nuanced that they never seem to be acting – what they are doing is as real as it gets. 

Full Review

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Tzahi Moskovitz & Eleanor Reissa - Yentl

Yentl | 2002

The New York Times | Bruce Weber

the actors are ingratiating and give indisputably professional performances.

 

 

Barbara & Scott Siegel | TheaterMania.com

Tzahi Moskovitz in an impressive performance

 

 Martin Denton | nytheatre.com

Moskovitz, in particular is a real find endowing Avigdor with the humor, intelligence, charm and sexiness that he needs.

 

Irene Backalenick | Backstage

the chemistry between Reissa and the equally appealing Tzahi Moskovitz as Avigdor, her secret love, really takes fire.

 

How His Bride Came to Abraham | 2002

Peter Filichia | Star Ledger

As Abraham, Tzahi Moskovitz is convincing as a wounded man; his pain practically induces winces. He is able to modulate his brave and strong voice with an undersurrent of panic.

 

Naomi Siegel | New Jersey Jewish News

Playwrights' director Ken Marini has cast his two protagonists brilliantly. Former IDF medic Tzahi Moskovitz is Abraham-cycnical, tartly humorous, with that self-deprecating bravado that is distinctly Israeli. Equisitely tender as he inquires after his buddy Benny's condition on his radio transmitter, he is lovingly embracing in his determination to save Sabra from her own unrelenting death spiral.

 

 

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Tzahi Moskovitz, Lana Nasser, background Marilyn Bernard. How his Bride came to Abraham